{"id":9206,"date":"2026-03-27T10:24:00","date_gmt":"2026-03-27T05:24:00","guid":{"rendered":"https:\/\/paknews.centers.pk\/the-state-of-streaming-monetization-2026\/"},"modified":"2026-03-27T10:24:00","modified_gmt":"2026-03-27T05:24:00","slug":"the-state-of-streaming-monetization-2026","status":"publish","type":"post","link":"https:\/\/paknews.centers.pk\/ur\/the-state-of-streaming-monetization-2026\/","title":{"rendered":"The State of Streaming Monetization 2026"},"content":{"rendered":"<p><br \/>\n<\/p>\n<div wp_automatic_readability=\"398.0891677675\">\n<div class=\"article_single_featured_img\"><img decoding=\"async\" src=\"https:\/\/dzceab466r34n.cloudfront.net\/Images\/ArticleImages\/457845-state-of-mon-cms-ORG.png\" alt=\"Article Featured Image\"\/><\/div>\n<p><span style=\"font-weight: 400;\">How are streaming content companies doing? Publishers, creators, and aggregators have traditionally made the majority of their revenue on subscriptions, so why does everyone want to talk about advertising? Ad-supported content is more affordable. Because most streaming consum-ers have maxed out their subscriptions, leaving the SVOD market saturated, advertising is more likely to be the dominant incremental revenue driver for streaming over the next several years, based on how media companies are talking about themselves and guiding investors.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Even in SVOD, the majority of growth is happening in ad tiers. More than 70% of net new subscriptions in the\u00a0<\/span><span style=\"font-weight: 400;\">U.S. since 2023 has come from ad-based plans, according to <a href=\"https:\/\/www.antenna.live\/insights\/antennas-state-of-subscriptions-report-premium-svod\" target=\"_blank\" rel=\"noopener\" title=\"Antenna\u2019s \u201cState of Subscriptions Report.\u201d\">Antenna\u2019s \u201cState of Subscriptions Report.\u201d<\/a> \u201cSome 71% of Net Additions in the past 9 quarters came from ad plans,\u201d Antenna reveals. \u201cAd-supported Net Adds grew by 7.6M YoY from 19.8M in 2023 to 27.4M in 2024.\u201d While consumers are increasingly opting for content with ads, media companies and advertisers are taking a deep dive into data for ad-supported streaming.<\/span><\/p>\n<h2><strong>A Quick Financial Snapshot<\/strong><\/h2>\n<p><span style=\"font-weight: 400;\">In its <a href=\"chrome-extension:\/\/efaidnbmnnnibpcajpcglclefindmkaj\/https:\/\/image.roku.com\/bWFya2V0aW5n\/3Q25-Shareholder-Letter.pdf\" target=\"_blank\" rel=\"noopener\" title=\"Q3 2025 shareholder letter, Roku reported\">Q3 2025 shareholder letter, Roku reported<\/a>, \u201cPlatform revenue grew 17% YoY, driven by strength in streaming services distribution and video advertising activities. We deepened integrations with third-party ad demand and measurement platforms, grew Roku-billed subscriptions, and enhanced our Home Screen and the overall Roku Experience.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/ir.netflix.net\/investor-news-and-events\/investor-events\/event-details\/2026\/Netflix-Fourth-Quarter-2025-Earnings-Interview-2026-ILhOSSH43f\/default.aspx\" target=\"_blank\" rel=\"noopener\" title=\"Netflix reported $45.2 billion in revenue for 2025\">Netflix reported $45.2 billion in revenue for 2025<\/a> (an increase of 16% year over year), according to the company\u2019s Q4 shareholder letter. Netflix\u2019s ad revenue rose more than 2.5x to more than $1.5 billion. Q4 revenue increased 18% year over year, and the company surpassed 325 million paid memberships. <a href=\"https:\/\/www.marketscreener.com\/news\/paramount-skydance-q3-2025-shareholder-letter-ce7d5fd8de8cf722\" target=\"_blank\" rel=\"noopener\" title=\"For Q3 2025, Paramount reported\">For Q3 2025, Paramount reported<\/a> in its shareholder letter that streaming revenue increased by 38% year over year. Subscription revenue grew 46% to $1.3 billion, driven by subscriber growth and pricing increases for Paramount+ as well as revenue from pay-per-view events. Advertising revenue increased 18%. Paramount+ subscribers topped 63 million, and global ARPU expanded 16% year over year.<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/thewaltdisneycompany.com\/press-releases\/disney-board-of-directors-sends-letter-to-shareholders-highlighting-clear-progress-made-and-promises-kept-as-it-executes-strategic-transformation\/\" target=\"_blank\" rel=\"noopener\" title=\"At the end of Q4 2025, Disney reported\">At the end of Q4 2025, Disney reported<\/a> 196 million Disney+ and Hulu subscriptions, an increase of 12.4 million versus Q3 fiscal 2025, and 132 million Disney+ subscribers, an increase of 3.8 million versus Q3 fiscal 2025. Disney continues to report its streaming business within the direct to consumer segment, without standalone revenue reported.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Comcast\/NBC (Peacock) and Warner Bros. Discovery also do not explicitly break out Peacock or Max streaming revenue, respectively, in their primary full-year press releases, so it\u2019s harder to get a snapshot of how each company\u2019s premium streaming platform is contributing to the bottom line.<\/span><\/p>\n<h2><strong>Circumventing Subscription Fatigue<\/strong><\/h2>\n<p><span style=\"font-weight: 400;\">According to Alia J. Daniels, COO and co-founder of global LGBTQ+ streaming network Revry, \u201cConsumers are already experiencing subscription fatigue. As consolidation continues, they\u2019re going to gravitate toward simpler, more accessible options,\u201d she contends. \u201cThat\u2019s where FAST and AVOD come in. The value proposition is clear: quality content without the friction of another monthly payment.\u201d\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cView times are far more extensive on AVOD than they are on FAST,\u201d says Jonathon Barbato, co-CEO at streaming channel brand developer Best Ever Channels. \u201cAlthough AVOD viewing increases exponentially when there\u2019s a FAST channel for discovery of the content, the two together seems to be the true winning strategy.\u201d Best Ever Channels has ad revenue through FAST channels and subscription revenue through two\u00a0<\/span><span style=\"font-weight: 400;\">SVOD channels.<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><img decoding=\"async\" src=\"https:\/\/dzceab466r34n.cloudfront.net\/Images\/ArticleImages\/InlineImages\/457585-Krefetz-Monetization-Fig1-ORG.png\" alt=\"lgbtq+ streaming network revry\" width=\"800\" height=\"451\"\/><br \/><em><em>LGBTQ+ streaming network Revry operates on a \u201ctribrid\u201d model, including FAST, AVOD, and SVOD.<\/em><\/em><br \/><\/span><\/p>\n<h2><strong>Addressing the Message<\/strong><\/h2>\n<p><span style=\"font-weight: 400;\">Now, everything is about targeting and addressable advertising. What addressable enables is that anyone who is in advertising can find a better match for who they are trying to reach, so in principle, advertisers have to do less guesswork when it comes to serving ads to the right market.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cWe build ad products to get our viewer to engage with your message,\u201d says Matt Van Houten, SVP of ad sales for DIRECTV. \u201cWe infuse data and technology to make sure that that viewer is engaged and then that they take an action.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In essence, Van Houten adds, \u201cWe\u2019re all selling commercial airtime. There\u2019s about 16 minutes of commercials: 14 minutes by the content creator\u2014typically the programmer or publisher\u2014and then 2 minutes<\/span><\/p>\n<p><span style=\"font-weight: 400;\">by the distributor. For companies like ours and others,\u201d the key questions are, \u201cHow do I differentiate when talking to the top Fortune 100 or Fortune 500 brands? How do I get the right ad to the right person at the right time based on either first-, second-, or third-party data attributes?\u201d<\/span><\/p>\n<h2><strong>Campaign Performance<\/strong><\/h2>\n<p><span style=\"font-weight: 400;\">Whether it\u2019s traditional TV or digital, Van Houten says, today\u2019s media and entertainment advertising ecosystem operates with a \u201cperformance-based marketing approach.\u201d This means that publishers are paid only on performance.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cIn some cases, we use AI to do sentiment analysis to provide audience segments that are more dynamic and informed,\u201d Van Houten explains. \u201cSometimes, clients will come to us and say, \u2018I have my own third-party data, and I just want to plug in and access your DIRECTV audience,\u2019\u201d he says. \u201cWhen we\u2019ve leaned into AI, it\u2019s been much more related to improving operational efficiency, enhancing some of our client solutions. We\u2019ve been doing AI, machine learning, and predictive modeling and having data scientists infuse under our business for a very, very long time.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The idea here is that the company is using AI to reach more appropriate audiences. In November 2025, DIRECTV launched DIRECTV Elect, an AI-powered, next-generation digital platform for political advertisers to reach audiences on CTV. Previously, this audience was primarily on linear satellite.<\/span><\/p>\n<p><em><span style=\"font-weight: 400;\"><img decoding=\"async\" src=\"https:\/\/dzceab466r34n.cloudfront.net\/Images\/ArticleImages\/InlineImages\/457586-Krefetz-Monetization-Fig2-ORG.png\" alt=\"directv elect\" width=\"800\" height=\"474\"\/><br \/>DIRECTV\u2019s new AI-powered platform for political advertisers, DIRECTV Elect<\/span><\/em><\/p>\n<p><span style=\"font-weight: 400;\">Adding to what Van Houten describes as a \u201cbig push\u201d for CTV in political campaign advertising, he says that with DIRECTV Elect, \u201cWe can use a bunch of the voter data that\u2019s available through these tools to help unlock deeper insights and more effectively make those connections. And so there\u2019s some intelligence there that can improve the reach and credibility of televisions going across both TV and streaming. When we\u2019ve combined those and we\u2019ve used AI for audience intelligence, it\u2019s made a big difference.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Van Houten describes large language model-driven voter sentiment insights as a \u201csecret sauce\u201d DIRECTV is injecting into political spaces. These AI models incorporate \u201cresponses, news, social media, donation patterns, voting behaviors, and political campaigns.\u201d This enables campaigns to dig deeper than geography and party affiliation when it comes to information about voters. \u201cWe all know we\u2019re more complex than just those two things,\u201d Van Houten says.<\/span><\/p>\n<h2><strong>Why IP Is Not Enough<\/strong><\/h2>\n<p><span style=\"font-weight: 400;\">Better political advertising is just the tip of the iceberg when it comes to addressability and its advantages over the approaches that preceded it. First, there was buying based on programming (the viewer you wanted to capture watched a certain show on linear), then IP and cookies (user data gathered by web browsers to identify and serve ads to an individual or household).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Addressability represents a significant step forward in performance-based advertising, Van Houten contends. \u201cYou need to understand deterministic relationships and value, and you understand how data and segments can be applied, and you need to be able to measure it on the back end and then provide attribution on the funnel for outcomes and brand awareness. Did you take an action? Did you purchase a SKU?\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">That\u2019s the kind of data that addressable advertising can provide, says Van Houten. \u201cAgencies and buyers are asking about it more than ever. They\u2019re increasing their budgets every year.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Van Houten also serves as board chair for Go Addressable, a trade organization founded (according to its website) by DIRECTV Advertising, AMC Networks, Comcast Advertising, DISH Media, and Spectrum Reach \u201cto help maximize the scale, impact, and value of TV as a marketing platform.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cWhen I started with Go Addressable 4 or 5 years ago, we had 100 people come check us out,\u201d Van Houten recalls. Since then, the number has grown to 700. This includes \u201cpeople at all of the top brands and agencies, because just the idea of data and technology being infused into advertising \u2026 continues to be powerful,\u201d he says.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">According to Go Addressable research, two-thirds of advertisers who are not using addressable TV plan to start in 2026. More than two in five advertisers plan to increase spending on addressable TV in 2026. \u201cTV and cable companies are now looking to lean into digital transformations,\u201d Van Houten says. \u201cMy customers are in so many different places now. They\u2019re on YouTube, watching on mobile devices and a lot of social. How do you stitch together all of that for programmers?\u201d<\/span><\/p>\n<p><em><span style=\"font-weight: 400;\"><img decoding=\"async\" src=\"https:\/\/dzceab466r34n.cloudfront.net\/Images\/ArticleImages\/InlineImages\/457587-Krefetz-Monetization-Fig3-ORG.png\" alt=\"go addressable\" width=\"800\" height=\"384\"\/><br \/>Go Addressable, a trade organization for addressable advertising<\/span><\/em><\/p>\n<h2><strong>The Data Double Blind<\/strong><\/h2>\n<p><span style=\"font-weight: 400;\">If you\u2019re a brand or an advertiser, is there a way to get a comprehensive media plan without having AI? Audience building used to rely on a lot of intuition and manual rules. With companies that are implementing AI, a marketer can now describe the audience they want in natural language and receive a proposal on precise segments and even lookalike audiences based on information gleaned from first-, second-, and third-party data. These segments are tied to real conversion and engagement signals, so they should get better over time.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The LiveRamp marketplace is an information clearinghouse that has prospered as a digital environment to enable deep levels of matching against data. There, IP owners and brands can see audience overlap, sales impact, and affinities without exposing raw data. This privacy-safe collaboration allows two parties to connect their data for targeting, measurement, or audience insights while maintaining privacy over proprietary data. They resolve all of the disparate data (including CTV IDs, cookies, IP addresses, MAIDs, and IDFAs) tied to an identity to the RampID identifier without sharing these emails to the streaming service.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cWhat we have done most recently,\u201d says Adam Paul, LiveRamp\u2019s executive director of media alliances, \u201cis put AI-driven functions on top of that marketplace to make it easier for brands to identify the right audiences that they\u2019d want to use to achieve their business objectives and their audience targeting objectives, whatever their KPI outcomes are. The AI overlay helps them figure out the right audience to deliver on their campaign goals.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The typical request, Paul explains, goes like this: \u201c\u2018Help me understand, as a buyer or as a planner, which inventory, which placements, which content, which contextual signals are going to deliver on the campaign goals.\u2019 What the AI functions have done is to take the qualitative and business outcomes that a brand is looking to achieve and surface, from end-to-end, the right audience data marketplace all the way through the media plan to figure out how to map back to the brief.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">What will be interesting to watch going forward is how tuned in AI is to younger viewers who have opted out of some of the more traditional media environments. According to InStreamly, 62% of Gen Z viewers have completely ditched traditional TV in favor of livestreaming platforms.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Paul says the real value proposition of this approach is its \u201cpredictive aspect,\u201d which helps advertisers identify what targets \u201care likely to convert prior to the campaign.\u201d The key element of this analysis is the ability to say, \u201cOK, this campaign happened to drive the most outcomes in the past. Let me optimize toward that publisher in the future.\u201d AI, he notes, \u201cis helping us get ahead of that, so you don\u2019t have to do as much iterative work\u2014let\u2019s run a campaign, predict, evaluate, run another campaign, optimize, and so on and so forth.\u201d Paul describes LiveRamp\u2019s CrossMedia Intelligence measurement solution as \u201cmore of a post-campaign tool than it is a planning tool. It\u2019s looking across premium publishers to enable brand measurement across the entirety of their spend, walled gardens, premium, CTV, etc.\u201d<\/span><\/p>\n<p><em><span style=\"font-weight: 400;\"><img decoding=\"async\" src=\"https:\/\/dzceab466r34n.cloudfront.net\/Images\/ArticleImages\/InlineImages\/457588-Krefetz-Monetization-Fig4-ORG.png\" alt=\"liveramp crossmedia intelligence\" width=\"800\" height=\"532\"\/><br \/>LiveRamp\u2019s Cross-Media Intelligence measurement solution<\/span><\/em><\/p>\n<p><span style=\"font-weight: 400;\">This is half the nirvana everyone has hoped for. Couple it with the same level of measurement on the planning tool, and we would be much closer to the potential for deeper insights that digital has always offered over linear.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">CrossMedia Intelligence, Paul goes on to say, \u201cbrings all of those publisher datasets into our clean room. It gives [publishers] more control over what they share and to whom and how it\u2019s being used, as well as comfort and confidence in the queries that are being run and the insights that are being delivered across those combined datasets.\u201d<\/span><\/p>\n<h2><strong>Enlarging the Pie<\/strong><\/h2>\n<p><span style=\"font-weight: 400;\">Another trend Paul identifies is that leagues and teams in the sports world have begun \u201cto act a little bit more like media companies. They have their own streaming assets, and they\u2019re trying to fulfill more targeted and measurable sponsorship activations,\u201d he says.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Some leagues have invested heavily in their owned-and-operated apps, Paul shares, and \u201cyou\u2019re starting to see more and more that they\u2019re carving out distribution rights packages differently with different partners. Even MLB has struck a deal with Disney and ESPN. The NFL also struck a deal with ESPN. You\u2019re starting to see ESPN work and monetize some of those assets, but ultimately, you\u2019re seeing a hybrid. The NFL has Sunday Ticket on YouTube. You\u2019re seeing both testing of different models and also breaking down the rights packages into smaller units so that they could sell a bundle to different distribution partners.\u201d<\/span><\/p>\n<h2><strong>Where the Compass Points<\/strong><\/h2>\n<p><span style=\"font-weight: 400;\">LiveRamp also partners with Disney to enable tools such as Disney Compass, which allows brands to activate with Disney\u2019s data offerings across the entire campaign lifecycle, from initial planning and buying to final measurement, according to Paul.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cEvery year, we are operating out of hundreds of individual clean rooms, delivering custom audiences on demand across Disney+, Hulu, and ESPN,\u201d says Dana McGraw, SVP of data and measurement science for Disney Entertainment and ESPN. \u201cWe\u2019re interoperable with virtually every DSP. Both our identity capabilities and our clean room are foundational to what we presented on stage last year when we introduced Disney Compass.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Building on this vast amount of data is the ability to query the data. \u201cWe are building AI-powered summaries that highlight key learnings and surface new opportunities,\u201d McGraw explains. \u201cDisney\u2019s AI chatbot will become your strategic planning and measurement assistant, helping you quickly leverage the most valuable insights to inform your campaign decisions.\u201d Buyers will be able to ask Compass who is being reached, where they\u2019re showing up across Disney, and what is driving outcomes. Advertisers will also see their campaign results alongside category benchmarks and real-world industry norms in one consolidated view.<\/span><\/p>\n<h2><strong>Owning the Data<\/strong><\/h2>\n<p><span style=\"font-weight: 400;\">Streaming services that are distributed in environments other than their owned-and-operated platform do not have the level of access to audience data that companies like Disney or DIRECTV have. Every independent service representative I\u2019ve ever spoken with says they never get compressive data. If contextual advertising is critical to competing on CPMs, are we widening the gap between the data haves and have-nots?<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cAdvertising will continue to be our primary form of monetization,\u201d says Revry\u2019s Daniels. Revry has its own ad exchange, PrismRiot, and it sells advertising on its owned-and-operated properties. For this inventory, it gets as many data signals as it wants, plus the premium CPMs the market will support. That changes when it works with distributors.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cWe get very little data from the platforms, especially Amazon,\u201d says Best Ever Channels\u2019 Barbato. \u201cMost of our data comes from Wurl regarding our FAST channel delivery or AVOD viewing spreadsheets.\u201d<\/span><\/p>\n<h2><strong>View From Afar<\/strong><\/h2>\n<p><span style=\"font-weight: 400;\">Sometimes, when I am doing something online\u2014not necessarily streaming, but reading, being on social, or listening to music\u2014I feel like advertisers know a bit too much about me. This feeling will only intensify in the years to come, as it\u2019s now very clear that the world of advertising will become more and more targeted. For all it will cost consumers in terms of privacy, it should also bring a much-improved level of satisfaction to them in terms of the relevance of ads they see.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The biggest uphill battle some companies will face is not being too creepy about using all of this data. There is a fine line between improving the ad experience and sharing too much about the viewer. Here\u2019s hoping the industry will walk that line carefully.<\/span><\/p>\n<div class=\"cta_magazine_subscription_wrap\">\n<div class=\"cta_magazine_subscription\">\n<div class=\"cta_magazine_subscription_img\">\n<!--            <img decoding=\"async\" src=\"https:\/\/dzceab466r34n.cloudfront.net\/Images\/SiteImages\/168775-2025-Cover-Images---April-2025-ORG.png\" alt=\"Streaming Covers\">--><br \/>\n            <img decoding=\"async\" src=\"https:\/\/dzceab466r34n.cloudfront.net\/Images\/SiteImages\/457665-2026-Cover-Images-ORG.png\" alt=\"Streaming Covers\"\/>\n        <\/div>\n<\/p><\/div>\n<\/div>\n<p><noscript>Please enable JavaScript to view the <a href=\"https:\/\/disqus.com\/?ref_noscript\" target=\"_blank\" rel=\"noopener\">comments powered by Disqus.<\/a><\/noscript><\/p>\n<p>&#13;<br \/>\n            Related Articles&#13;<br \/>\n            &#13;\n        <\/p>\n<section class=\"article_grid\" wp_automatic_readability=\"28.868735083532\">&#13;<br \/>\n    &#13;<\/p>\n<div class=\"article_grid_single\" wp_automatic_readability=\"35.955390334572\">\n<div>\n                <a id=\"MainContentPlaceHolder_ctl01_ctl00_rptArticles_lnkImageLink_0\" href=\"https:\/\/www.streamingmedia.com\/Articles\/Editorial\/Featured-Articles\/The-State-of-OTT-and-CTV-Monetization-2025-168651.aspx?utm_source=related_articles&amp;utm_medium=gutenberg&amp;utm_campaign=editors_selection\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" class=\"lazy\" src=\"https:\/\/dzceab466r34n.cloudfront.net\/Images\/ArticleImages\/168480-monet0-ORG.png\"\/><\/a>\n            <\/div>\n<h3>&#13;<br \/>\n                <a id=\"MainContentPlaceHolder_ctl01_ctl00_rptArticles_lnkArticleTitle_0\" href=\"https:\/\/www.streamingmedia.com\/Articles\/Editorial\/Featured-Articles\/The-State-of-OTT-and-CTV-Monetization-2025-168651.aspx?utm_source=related_articles&amp;utm_medium=gutenberg&amp;utm_campaign=editors_selection\" target=\"_blank\" rel=\"noopener\">The State of OTT and CTV Monetization 2025<\/a><\/h3>\n<p>&#13;<br \/>\n                Conversation about monetization is so nuanced that after a decade of writing on this topic, I am still looking for meaning where there may be little to find. Essentially, what I&#8217;ve come to understand is that ad\u00advertising is like the stock market: Certain aspects of advertising deals are not transparent now and may never become fully transparent. What is clear, ac\u00adcording to research from Statista, is that 64% of rev\u00adenue growth in the U.S. in OTT is coming from ad\u00advertising.&#13;\n            <\/p>\n<p>&#13;<br \/>\n                &#13;<br \/>\n                <span class=\"article_date\">&#13;<br \/>\n                    28 Mar 2025<\/span>&#13;\n            <\/p>\n<\/p><\/div>\n<p>&#13;<br \/>\n    &#13;<\/p>\n<div class=\"article_grid_single\" wp_automatic_readability=\"30.317725752508\">\n<div>\n                <a id=\"MainContentPlaceHolder_ctl01_ctl00_rptArticles_lnkImageLink_1\" href=\"https:\/\/www.streamingmedia.com\/Articles\/Editorial\/Featured-Articles\/The-State-of-Streaming-Monetization-2023-158122.aspx?utm_source=related_articles&amp;utm_medium=gutenberg&amp;utm_campaign=editors_selection\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" class=\"lazy\" src=\"https:\/\/dzceab466r34n.cloudfront.net\/Images\/ArticleImages\/152467-state-of-monetization-2023-ORG.png\"\/><\/a>\n            <\/div>\n<h3>&#13;<br \/>\n                <a id=\"MainContentPlaceHolder_ctl01_ctl00_rptArticles_lnkArticleTitle_1\" href=\"https:\/\/www.streamingmedia.com\/Articles\/Editorial\/Featured-Articles\/The-State-of-Streaming-Monetization-2023-158122.aspx?utm_source=related_articles&amp;utm_medium=gutenberg&amp;utm_campaign=editors_selection\" target=\"_blank\" rel=\"noopener\">The State of Streaming Monetization 2023<\/a><\/h3>\n<p>&#13;<br \/>\n                Streaming media business and monetization models expanded and diversified in 2022 and sent a clear message: Paid subscription models were a necessary gateway to widespread streaming adoption, but now ad-supported viewing has a chance to flourish.&#13;\n            <\/p>\n<p>&#13;<br \/>\n                &#13;<br \/>\n                <span class=\"article_date\">&#13;<br \/>\n                    12 Apr 2023<\/span>&#13;\n            <\/p>\n<\/p><\/div>\n<p>&#13;<br \/>\n    &#13;<br \/>\n        &#13;<br \/>\n        <\/section>\n<\/p><\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.streamingmedia.com\/Articles\/ReadArticle.aspx?ArticleID=173815\" target=\"_blank\" rel=\"noopener\">Source link <\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>How are streaming content companies doing? Publishers, creators, and aggregators have traditionally made the majority of their revenue on subscriptions, so why does everyone want to talk about advertising? Ad-supported content is more affordable. Because most streaming consum-ers have maxed out their subscriptions, leaving the SVOD market saturated, advertising is more likely to be the [&hellip;]<\/p>","protected":false},"author":1,"featured_media":9207,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[58],"tags":[],"class_list":["post-9206","post","type-post","status-publish","format-standard","has-post-thumbnail","category-live-session"],"_links":{"self":[{"href":"https:\/\/paknews.centers.pk\/ur\/wp-json\/wp\/v2\/posts\/9206","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/paknews.centers.pk\/ur\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/paknews.centers.pk\/ur\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/paknews.centers.pk\/ur\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/paknews.centers.pk\/ur\/wp-json\/wp\/v2\/comments?post=9206"}],"version-history":[{"count":0,"href":"https:\/\/paknews.centers.pk\/ur\/wp-json\/wp\/v2\/posts\/9206\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/paknews.centers.pk\/ur\/wp-json\/wp\/v2\/media\/9207"}],"wp:attachment":[{"href":"https:\/\/paknews.centers.pk\/ur\/wp-json\/wp\/v2\/media?parent=9206"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/paknews.centers.pk\/ur\/wp-json\/wp\/v2\/categories?post=9206"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/paknews.centers.pk\/ur\/wp-json\/wp\/v2\/tags?post=9206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}