{"id":9560,"date":"2026-06-24T15:13:57","date_gmt":"2026-06-24T10:13:57","guid":{"rendered":"https:\/\/paknews.centers.pk\/ais-streaming-stack-engagement-agents\/"},"modified":"2026-06-24T15:13:57","modified_gmt":"2026-06-24T10:13:57","slug":"ais-streaming-stack-engagement-agents","status":"publish","type":"post","link":"https:\/\/paknews.centers.pk\/ur\/ais-streaming-stack-engagement-agents\/","title":{"rendered":"AI&#8217;s Streaming Stack: Engagement Agents"},"content":{"rendered":"<p><br \/>\n<\/p>\n<div wp_automatic_readability=\"326.94988381586\">\n<div class=\"article_single_featured_img\"><img decoding=\"async\" src=\"https:\/\/dzceab466r34n.cloudfront.net\/Images\/ArticleImages\/336107-ais-streaming-stack-ORG.png\" alt=\"Article Featured Image\"\/><\/div>\n<p>T<span style=\"font-weight: 400;\">he three companies covered in this issue\u2019s column are all involved in bringing more monetization or engagement to today\u2019s streaming content. The key differentiator is using AI to delve deep into content meaning and adjacent data to create new opportunities for content formats that previously did not exist.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">While we sometimes cover tools that are suitable for smaller publishers, these <a href=\"https:\/\/www.streamingmedia.com\/Articles\/ReadArticle.aspx?ArticleID=175399\" target=\"_blank\" rel=\"noopener\" title=\"ai&#039;s streaming stack\">AI tools<\/a> require a certain scale of content to \u2026 well, work at scale. Two of these companies have been around for 10-plus years. The other one is much newer but already has an impressive connection with a media company.<\/span><\/p>\n<h2><strong>Moments Lab<\/strong><\/h2>\n<p><a href=\"https:\/\/momentslab.com\" target=\"_blank\" rel=\"noopener\" title=\"Moments Lab\"><span style=\"font-weight: 400;\">Moments Lab<\/span><\/a><span style=\"font-weight: 400;\">\u00a0is helping media and entertainment IP owners create\u00a0<\/span><span style=\"font-weight: 400;\">new revenue streams from their existing IP by identifying content within assets in their video libraries that can be repurposed to attract new audiences. The company describes this new product category as an \u201cAI <a href=\"https:\/\/www.streamingmedia.com\/Glossary\/Terms\/MAM\" target=\"_blank\" rel=\"noopener\" title=\"mam media asset management\">MAM<\/a>.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">One customer it\u2019s working with is <a href=\"https:\/\/www.banijay.com\/\" target=\"_blank\" rel=\"noopener\" title=\"Banijay Entertainment\">Banijay Entertainment<\/a> to help the Paris-based producer and distributor find micro stories within existing content. Banijay could use <a href=\"https:\/\/www.momentslab.com\/products\/search-and-discovery\" target=\"_blank\" rel=\"noopener\" title=\"Moments Lab\u2019s Discovery Agent\">Moments Lab\u2019s Discovery Agent<\/a> to search for the \u201ctop 10 best fish dishes ever from <\/span><em><span style=\"font-weight: 400;\">Master\u00adChef Australia<\/span><\/em><span style=\"font-weight: 400;\">, for instance,\u201d says <a href=\"https:\/\/www.linkedin.com\/in\/phil-petitpont-561115115\" target=\"_blank\" rel=\"noopener\" title=\"Moments Lab co-founder and CEO Phil Petitpont\">Moments Lab co-founder and CEO Phil Petitpont<\/a>. \u201cOur agent has a capacity to find all these fish dishes, take the top 10, and then publish them on social media to generate new audience streams.\u201d<\/span><\/p>\n<p><em><span style=\"font-weight: 400;\"><img decoding=\"async\" src=\"https:\/\/dzceab466r34n.cloudfront.net\/Images\/ArticleImages\/InlineImages\/459451-Krefetz_Streaming_Stack_Fig1-ORG.png\" alt=\"Using Moments Lab\u2019s\u00a0AI chatbot-based Discovery Agent for natural language content library queries\u00a0(Source: Moments Lab)\" width=\"493\" height=\"487\"\/><br \/>Using Moments Lab\u2019s\u00a0AI chatbot-based Discovery Agent for natural language content library queries\u00a0<span class=\"CharOverride-2\">(Source: Moments Lab)<\/span><\/span><\/em><\/p>\n<p><span style=\"font-weight: 400;\">Petitpont goes on to explain how this capability increases profitability or reduces costs for publishers like Banijay: \u201cMost of the time, what our customers see is this capacity to really scale the revenue line of the business.\u201d Banijay has told Moments Lab that repurposing a 1- or 2-minute video currently costs roughly $1,000. With help from Moments Lab, that cost drops to under $100.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cIt\u2019s a totally new way to generate a revenue stream that is very different from just reselling the rights of Season 10 of <\/span><em><span style=\"font-weight: 400;\">MasterChef<\/span><\/em><span style=\"font-weight: 400;\">,\u201d Petitpont explains. \u201cIt\u2019s like creating a new narrative angle that will then generate a new audience on social media.\u201d This short-form content is served on YouTube, Meta, Instagram, or TikTok.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Petitpont says there are three revenue streams: mid-roll and post-roll ads, sponsorships, and directly inserting ads into the video. \u201cLots of marketing teams are using this tool not only to generate revenue streams, but also to promote their shows,\u201d he notes.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Like most companies, Moments Lab picks and chooses models to deliver a multimodal solution. \u201cWe are using 20 different models,\u201d Petitpont says. \u201cIf I\u2019m searching for some moments about fish dishes, I can find not only all of the 2- and 3-minute sequences about each fish dish, but also a very specific step of cooking or putting it in the fridge or the oven.\u201d These moments are identified in time-based metadata. Users can manually create clips with their clipping tool or use automated clip generation. The metadata breaks out frame-by-frame shot descriptions, complete with a full description of the visual details. Moments Lab also creates content sequences and summaries that can be used by an editor in their outside editing tool.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cWe separate the production flow into two steps,\u201d Petitpont explains. \u201cThe first is what we call the \u2018upstream\u2019 step: the original show, the 22-minute episode, the 30-minute newscast, the 52-minute episode, whatever. The second part is what we call \u2018downstream,\u2019 which is everything related to monetizing the show, whether it\u2019s publishing the show, receiving the rights, or repurposing the show.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">While Moments Lab works with news, episod\u00adic, and reality content, Petitpont believes that\u00a0<\/span><span style=\"font-weight: 400;\">reality content is especially ripe for splicing and dicing. \u201cOne of the things we observe that\u00a0<\/span><span style=\"font-weight: 400;\">is very interesting for TV reality shows like <\/span><em><span style=\"font-weight: 400;\">Big Brother<\/span><\/em><span style=\"font-weight: 400;\">,\u201d he says, is that publishers \u201cwant to start the downstream workflow during the show. Many things are happening at the same time. But as a director, you choose one thing at a time; you can\u2019t cover two stories during the show. On social media, you don\u2019t have this issue because you can choose to cover different parallel stories. You don\u2019t have this issue of producing a linear show.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The company\u2019s product demo showed an easy-to-understand interface, featuring an AI agent customers can talk to. It also works by API. In one sample clip generated by AI in the demo I saw, there was administrative metadata such as title, content type, program category, season, episode, EPG summary, social media descriptions, chapter markers, and hashtags.<\/span><\/p>\n<p><em><img decoding=\"async\" src=\"https:\/\/dzceab466r34n.cloudfront.net\/Images\/ArticleImages\/InlineImages\/459452-Krefetz_Streaming_Stack_Fig2-ORG.png\" alt=\"Moments Lab-generated administrative metadata (Source: Moments Lab)\" width=\"544\" height=\"326\"\/><br \/>Moments Lab-generated administrative metadata (Source: Moments Lab)<\/em><\/p>\n<p><span style=\"font-weight: 400;\">\u201cWe are storing three kinds of meta\u00addata: visual elements, tran\u00adscription, and summarization,\u201d Petitpont says. He told me that customers can extract this metadata for other uses as well. \u201cOne important thing we\u2019ve worked on is to avoid any vendor lock-in on the metadata. When a customer is indexing content with us into our platform, this metadata is globally available. You don\u2019t need to pay to access the metadata to use it in other systems.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Moments Lab stores the following metadata types:<\/span><\/p>\n<ul>\n<li><span style=\"font-weight: 400;\"> Text-based metadata for dates, rights, or anything that needs to be stored in text, like object data<\/span><\/li>\n<li><span style=\"font-weight: 400;\"> Vector\/visual embeddings or text embeddings that make the output really semantic<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">Moments Lab was the only company I spoke to for this article that provided a demo, and it delivered a very professional-looking one. The company has been in business for 10 years and prices its services either by the hour or by the show. It will export metadata for customers in whatever format is required.<\/span><\/p>\n<h2><strong>Versos AI<\/strong><\/h2>\n<p><span style=\"font-weight: 400;\">For the past couple of years, AI labs have been actively sourcing archival video from studios, streamers, and distributors to acquire the rights to train on video content. <a href=\"https:\/\/curiositystream.com\/\" target=\"_blank\" rel=\"noopener\" title=\"Curiosity Stream\">Curiosity Stream<\/a> has been one of the leaders in licensing content for AI training, and it is doing this with help from <a href=\"https:\/\/versos.ai\" target=\"_blank\" rel=\"noopener\" title=\"Versos AI\">Versos AI<\/a><\/span><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><img decoding=\"async\" src=\"https:\/\/dzceab466r34n.cloudfront.net\/Images\/ArticleImages\/InlineImages\/459453-Krefetz_Streaming_Stack_Fig3-ORG.png\" alt=\"Video content licensor CuriosityStream is an early adopter of Versos AI\u2019s AI Video Library Intelligence Platform (Source: Versos AI)\" width=\"444\" height=\"250\"\/><br \/><em>Video content licensor CuriosityStream is an early adopter of Versos AI\u2019s AI Video Library Intelligence Platform (Source: Versos AI)<\/em><\/span><\/p>\n<p><span style=\"font-weight: 400;\">Versos AI\u2019s AI Video Library Intelligence Platform is a tool that takes video content and prepares content libraries for <a href=\"https:\/\/www.streamingmedia.com\/Articles\/Editorial\/Featured-Articles\/The-State-of-AI-in-On-Demand-Streaming-in-2026-173868.aspx\" target=\"_blank\" rel=\"noopener\" title=\"state of ai in on-demand streaming\">AI training<\/a>. By definition, video content consists of unstructured datasets. \u201cAt best, a library has a filename and maybe some other file-level metadata attached, but very little else,\u201d says <a href=\"https:\/\/www.linkedin.com\/in\/keevill\/\" target=\"_blank\" rel=\"noopener\" title=\"Versos AI CEO and co-founder Chris Keevill\">Versos AI CEO and co-founder Chris Keevill<\/a>. \u201cWe look inside the video and describe scenes and frames as well as objects within frames. We can create almost the full, near-infinite understanding of what\u2019s happening inside a video. That video understanding helps large-library owners manage, understand, find, discover, and retrieve things out of this unstructured data library.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">As recently as a year ago, for the most part, \u201clabs were satisfied if a rightsholder like Curiosity Stream sent them 10,000 or 20,000 hours of nature and wildlife documentary assets,\u201d says Keevill. \u201cIncreasingly, the model builders at these AI labs are looking for something more specific within that category because they\u2019re training their models in more specific ways.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Finished content is more desirable, Keevill explains, and the model trainers in many cases are looking for a narrative arc. For example, trainers want to improve their understanding of character development. \u201cThey\u2019re going to want to look at full scenes and character development throughout a series. That\u2019s one use case, but other, more specific use cases are where the models are looking to understand the physics of the world. They want to understand gravity,\u201d Keevill says. \u201cThey ask for 10,000 30-second scenes of objects falling through the air and landing on the ground to understand gravity.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Throughout this process, the video stays in the rightsholder\u2019s storage. Versos AI can integrate and process from all the major cloud platforms, such as Azure, Google, and Amazon. \u201cWe process it,\u201d says Keevill, \u201cbut it stays put.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The company also emphasizes <a href=\"https:\/\/www.streamingmedia.com\/Articles\/Editorial\/Short-Cuts\/EZDRMs-Olga-Kornienko-Talks-C2PA-Content-Authenticity-and-DRM-at-Streaming-Media-2025-172117.aspx\" target=\"_blank\" rel=\"noopener\" title=\"C2PA compliance\">C2PA compliance<\/a>. \u201cWithin Versos, we create a C2PA manifest,\u201d Keevill attests. \u201cThink of it as a stamp on a video asset that establishes effectively who owns it, where it has come from through the supply chain, and then where it is going from our platform next.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Versos AI is primarily working with larger library owners with 10,000 hours of content. It also works with aggregators in the market that will do business with a small studio that has closer to 500 hours of content. Versos AI is a multimodal platform and uses a range of open source models. Data is delivered as a JSON file. The company does not have public pricing.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The Versos AI platform launched at the end of February 2026. Curiosity Stream is not only a customer, but has also invested in the company.<\/span><\/p>\n<h2><strong>Sportradar<\/strong><\/h2>\n<p><span style=\"font-weight: 400;\">Have you ever wondered about all of the data that sporting events are now serving to consumers in a world of more and more personalized viewing experiences? The ability to take and analyze data and be able to provide context to what\u2019s happening in the event is the business and technology of <a href=\"https:\/\/sport\u00adradar.com\" target=\"_blank\" rel=\"noopener\" title=\"Sportradar\">Sportradar<\/a><\/span><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Today\u2019s sports broadcasts, to a large degree, are no longer linear-only. \u201cMedia companies have had to shift to creating this whole content ecosystem and trying to match the content,\u00a0<\/span><span style=\"font-weight: 400;\">depending upon the platform, to the type of viewer and where they are,\u201d says <a href=\"https:\/\/www.linkedin.com\/in\/hollandmj\/\" target=\"_blank\" rel=\"noopener\" title=\"Mark Holland, SVP of media products at Sportradar\">Mark Holland, SVP of media products at Sportradar<\/a>. \u201cPeople are viewing sporting events across every platform that they\u2019re on. What we\u2019re seeing is that there\u2019s a lot more interactivity and desire for personalization.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Holland envisions enormous potential for personalization in the content that sports programmers are capturing for every event, even if most of it goes unseen in a linear broadcast. \u201cWe\u2019ve got amazing, insightful content for the home team, for the away team, for every single player on the team,\u201d he says. \u201cYou do see a lot more of it in streaming. Connected TVs are starting to move into enabling different layers on the screen, and we\u2019re seeing even different broadcasts.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">With all of this content also comes a wealth of data, much of it of great interest to many fans, bettors in particular. \u201cWe collect sports statistics, information, and data and provide that to thousands of clients across the globe in a variety of different ways, from data feeds to visualizations, to content products, integrity services, and pretty much everything in between,\u201d Holland says. \u201cWe really sit at that intersection of media betting and technology and enabling the storytelling of sports in the world.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Holland explains Sportradar\u2019s service as follows: \u201cOur core business is providing the sports data to our media clients, and we do that through [offering] 50 or 60 different sports APIs. That\u2019s the raw building blocks for our clients to build any sports experience they ultimately want, be it a match tracker, some sort of a ticker, or graphics within a broadcast.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Sportradar\u2019s offerings include a number of products. SR On-Air pulls real-time statistical updates and play-by-play data from Sport\u00adradar databases to populate broadcast graphics systems like Vizrt and Chyron. Ten years ago, Sport\u00adradar developed the analytics tool Radar\u00ad360 to provide deep research, which is used during games as well as in pre- and post-game. Holland says, \u201cDuring a live broadcast, our research team is asked questions like, \u2018When\u2019s the last time that this happened?\u2019 or, \u2018Has this ever happened before?\u2019 or, \u2018What\u2019s the importance of this particular event in a sport?\u2019 These answers can really enhance that storytelling in the course of a live broadcast.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">As recently as 6 or 7 years ago, Holland recalls, \u201cbroadcasters would have to set up very specific templates, and if something occurred during a match or a live event that deviated\u00a0<\/span><span style=\"font-weight: 400;\">from them,\u201d they had to describe it verbally, on air. \u201cIt wasn\u2019t something they could show graphically.\u201d Now these graphics templates can be manipulated in real time to capture these stories during a live broadcast using tools like those available from Sportradar.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cWe have a product called <a href=\"https:\/\/sportradar.com\/4sight-streaming\/?lang=en-us\" target=\"_blank\" rel=\"noopener\" title=\"sporrtradar\">4Sight Streaming<\/a> (built more recently for broadcasts, particularly the NBA), which essentially overlays statistics and probabilities over the live broadcast,\u201d Holland says. \u201cAs you\u2019re watching, you can see the probability of a particular player\u2019s shot as they have the ball. Then, as they pass, those probabilities change. It really allows not only the broadcasters to start to tell more interesting stories, but a viewer to be able to turn that on and just have that much more immersive experience.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><img decoding=\"async\" src=\"https:\/\/dzceab466r34n.cloudfront.net\/Images\/ArticleImages\/InlineImages\/459454-Krefetz_Streaming_Stack_Fig4-ORG.png\" alt=\"Custom interactive NBA broadcasts with Sportradar 4Sight (Source: Sportradar)\" width=\"600\" height=\"339\"\/><br \/><em>Custom interactive NBA broadcasts with Sportradar 4Sight (Source: Sportradar)<\/em><\/span><\/p>\n<p><span style=\"font-weight: 400;\">How has AI changed the data you get and the data you can pass? Holland believes \u201cthe biggest thing around AI is the ability to essentially analyze the depth of data that we\u2019ve got in real time and identify different anomalies, come up with different insights, look for patterns, look for milestones, all in real time very, very quickly and across a very wide and deep dataset and across a lot of different elements. Not just your top players, but every single player that might be on the field or on the pitch at any given moment in time.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><img decoding=\"async\" src=\"https:\/\/dzceab466r34n.cloudfront.net\/Images\/ArticleImages\/InlineImages\/459455-Krefetz_Streaming_Stack_Fig5-ORG.png\" alt=\"Sportradar GameFrame (Source: Sportradar)\" width=\"600\" height=\"374\"\/><br \/><em>Sportradar GameFrame (Source: Sportradar)<\/em><\/span><\/p>\n<p><span style=\"font-weight: 400;\">Another Sportradar product, GameFrame (currently available only for the NBA), \u201ctakes a standard shot chart, which used to just be 2D Xs and Os,\u201d says Holland. \u201cThis is a 3D animation with player likenesses, and you can see their various shots and the movements that they\u2019re taking in order to make that shot.\u201d<\/span><\/p>\n<div class=\"cta_magazine_subscription_wrap\">\n<div class=\"cta_magazine_subscription\">\n<div class=\"cta_magazine_subscription_img\">\n<!--            <img decoding=\"async\" src=\"https:\/\/dzceab466r34n.cloudfront.net\/Images\/SiteImages\/168775-2025-Cover-Images---April-2025-ORG.png\" alt=\"Streaming Covers\">--><br \/>\n            <img decoding=\"async\" src=\"https:\/\/dzceab466r34n.cloudfront.net\/Images\/SiteImages\/457665-2026-Cover-Images-ORG.png\" alt=\"Streaming Covers\"\/>\n        <\/div>\n<\/p><\/div>\n<\/div>\n<p><noscript>Please enable JavaScript to view the <a href=\"https:\/\/disqus.com\/?ref_noscript\" target=\"_blank\" rel=\"noopener\">comments powered by Disqus.<\/a><\/noscript><\/p>\n<p>&#13;<br \/>\n            Related Articles&#13;<br \/>\n            &#13;\n        <\/p>\n<section class=\"article_grid\" wp_automatic_readability=\"41.76966873706\">&#13;<br \/>\n    &#13;<\/p>\n<div class=\"article_grid_single\" wp_automatic_readability=\"34.045248868778\">\n<div>\n                <a id=\"MainContentPlaceHolder_ctl01_ctl00_rptArticles_lnkImageLink_0\" href=\"https:\/\/www.streamingmedia.com\/Articles\/Editorial\/Featured-Articles\/The-State-of-AI-in-On-Demand-Streaming-in-2026-173868.aspx?utm_source=related_articles&amp;utm_medium=gutenberg&amp;utm_campaign=editors_selection\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" class=\"lazy\" src=\"https:\/\/dzceab466r34n.cloudfront.net\/Images\/ArticleImages\/457840-ai-on-demand-cms-ORG.png\"\/><\/a>\n            <\/div>\n<h3>&#13;<br \/>\n                <a id=\"MainContentPlaceHolder_ctl01_ctl00_rptArticles_lnkArticleTitle_0\" href=\"https:\/\/www.streamingmedia.com\/Articles\/Editorial\/Featured-Articles\/The-State-of-AI-in-On-Demand-Streaming-in-2026-173868.aspx?utm_source=related_articles&amp;utm_medium=gutenberg&amp;utm_campaign=editors_selection\" target=\"_blank\" rel=\"noopener\">The State of AI in On-Demand Streaming in 2026<\/a><\/h3>\n<p>&#13;<br \/>\n                This is a tale of a few different AI use cases that involve research, localization, advertising, and UX. The first is a public broadcaster in Austria. The second is a TV OS. The third is a well-known vendor. The last is a major media company. What all of these have in common is that their AI applications have moved from the proof-of-concept stage to full commercial implementation.&#13;\n            <\/p>\n<p>&#13;<br \/>\n                &#13;<br \/>\n                <span class=\"article_date\">&#13;<br \/>\n                    26 Mar 2026<\/span>&#13;\n            <\/p>\n<\/p><\/div>\n<p>&#13;<br \/>\n    &#13;<\/p>\n<div class=\"article_grid_single\" wp_automatic_readability=\"39.275590551181\">\n<div>\n                <a id=\"MainContentPlaceHolder_ctl01_ctl00_rptArticles_lnkImageLink_1\" href=\"https:\/\/www.streamingmedia.com\/Articles\/Editorial\/Featured-Articles\/The-State-of-AI-In-Live-Streaming-173245.aspx?utm_source=related_articles&amp;utm_medium=gutenberg&amp;utm_campaign=editors_selection\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" class=\"lazy\" src=\"https:\/\/dzceab466r34n.cloudfront.net\/Images\/ArticleImages\/457848-state-of-ai-live-cms-ORG.png\"\/><\/a>\n            <\/div>\n<h3>&#13;<br \/>\n                <a id=\"MainContentPlaceHolder_ctl01_ctl00_rptArticles_lnkArticleTitle_1\" href=\"https:\/\/www.streamingmedia.com\/Articles\/Editorial\/Featured-Articles\/The-State-of-AI-In-Live-Streaming-173245.aspx?utm_source=related_articles&amp;utm_medium=gutenberg&amp;utm_campaign=editors_selection\" target=\"_blank\" rel=\"noopener\">The State of AI In Live Streaming<\/a><\/h3>\n<p>&#13;<br \/>\n                As with all streaming workflows, AI has steadily crept into the live streaming technology stack. In some cases, the impact is incremental, in others, profound. From production to monetization, here&#8217;s a quick overview of where AI has become relevant for live event producers and engineers, and some areas where, surprisingly, it hasn&#8217;t. &#13;\n            <\/p>\n<p>&#13;<br \/>\n                &#13;<br \/>\n                <span class=\"article_date\">&#13;<br \/>\n                    26 Mar 2026<\/span>&#13;\n            <\/p>\n<\/p><\/div>\n<p>&#13;<br \/>\n    &#13;<\/p>\n<div class=\"article_grid_single\" wp_automatic_readability=\"42.32\">\n<div>\n                <a id=\"MainContentPlaceHolder_ctl01_ctl00_rptArticles_lnkImageLink_2\" href=\"https:\/\/www.streamingmedia.com\/Articles\/Editorial\/Featured-Articles\/AIs-Streaming-Stack-Meet-the-Media-Workflows-172814.aspx?utm_source=related_articles&amp;utm_medium=gutenberg&amp;utm_campaign=editors_selection\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" class=\"lazy\" src=\"https:\/\/dzceab466r34n.cloudfront.net\/Images\/ArticleImages\/336107-ais-streaming-stack-ORG.png\"\/><\/a>\n            <\/div>\n<h3>&#13;<br \/>\n                <a id=\"MainContentPlaceHolder_ctl01_ctl00_rptArticles_lnkArticleTitle_2\" href=\"https:\/\/www.streamingmedia.com\/Articles\/Editorial\/Featured-Articles\/AIs-Streaming-Stack-Meet-the-Media-Workflows-172814.aspx?utm_source=related_articles&amp;utm_medium=gutenberg&amp;utm_campaign=editors_selection\" target=\"_blank\" rel=\"noopener\">AI&#8217;s Streaming Stack: Meet the Media Workflows<\/a><\/h3>\n<p>&#13;<br \/>\n                How has AI entered the media workflow? For this new column, we&#8217;ll look at different applications used in the media industry. For this issue, we&#8217;ll start with asset management, asset storefronts, and localization. While some of this functionality\u2014speech-to-text transcription, translation, voice synthesis, natural language processing, logo detection, facial recognition, and object detection\u2014has been around for a while, the biggest improvement is that much of it is now available on workflows with live content.&#13;\n            <\/p>\n<p>&#13;<br \/>\n                &#13;<br \/>\n                <span class=\"article_date\">&#13;<br \/>\n                    15 Dec 2025<\/span>&#13;\n            <\/p>\n<\/p><\/div>\n<p>&#13;<br \/>\n    &#13;<\/p>\n<div class=\"article_grid_single\" wp_automatic_readability=\"30.728813559322\">\n<div>\n                <a id=\"MainContentPlaceHolder_ctl01_ctl00_rptArticles_lnkImageLink_3\" href=\"https:\/\/www.streamingmedia.com\/Articles\/Editorial\/Short-Cuts\/EZDRMs-Olga-Kornienko-Talks-C2PA-Content-Authenticity-and-DRM-at-Streaming-Media-2025-172117.aspx?utm_source=related_articles&amp;utm_medium=gutenberg&amp;utm_campaign=editors_selection\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" class=\"lazy\" src=\"https:\/\/dzceab466r34n.cloudfront.net\/Images\/ArticleImages\/252478-olga-sm25-cms-ORG.png\"\/><\/a>\n            <\/div>\n<h3>&#13;<br \/>\n                <a id=\"MainContentPlaceHolder_ctl01_ctl00_rptArticles_lnkArticleTitle_3\" href=\"https:\/\/www.streamingmedia.com\/Articles\/Editorial\/Short-Cuts\/EZDRMs-Olga-Kornienko-Talks-C2PA-Content-Authenticity-and-DRM-at-Streaming-Media-2025-172117.aspx?utm_source=related_articles&amp;utm_medium=gutenberg&amp;utm_campaign=editors_selection\" target=\"_blank\" rel=\"noopener\">EZDRM\u2019s Olga Kornienko Talks C2PA, Content Authenticity, and DRM at Streaming Media 2025<\/a><\/h3>\n<p>&#13;<br \/>\n                In a candid interview at Streaming Media 2025, EZDRM COO and co-founder Olga Kornienko and Future Frames producer Doug Daulton trade helpful analogies in discussing the growing importance of content provenance in the age of generative AI and deepfakes, as well as the role that the C2PA standard and DRM providers like EZDRM can play in protecting content authenticity and content creators&#8217; rights in a changing media landscape.&#13;\n            <\/p>\n<p>&#13;<br \/>\n                &#13;<br \/>\n                <span class=\"article_date\">&#13;<br \/>\n                    24 Oct 2025<\/span>&#13;\n            <\/p>\n<\/p><\/div>\n<p>&#13;<br \/>\n    &#13;<br \/>\n        &#13;<br \/>\n        <\/section>\n<\/p><\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.streamingmedia.com\/Articles\/ReadArticle.aspx?ArticleID=175401\" target=\"_blank\" rel=\"noopener\">Source link <\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>The three companies covered in this issue\u2019s column are all involved in bringing more monetization or engagement to today\u2019s streaming content. The key differentiator is using AI to delve deep into content meaning and adjacent data to create new opportunities for content formats that previously did not exist. While we sometimes cover tools that are [&hellip;]<\/p>","protected":false},"author":1,"featured_media":4759,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[58],"tags":[],"class_list":["post-9560","post","type-post","status-publish","format-standard","has-post-thumbnail","category-live-session"],"_links":{"self":[{"href":"https:\/\/paknews.centers.pk\/ur\/wp-json\/wp\/v2\/posts\/9560","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/paknews.centers.pk\/ur\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/paknews.centers.pk\/ur\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/paknews.centers.pk\/ur\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/paknews.centers.pk\/ur\/wp-json\/wp\/v2\/comments?post=9560"}],"version-history":[{"count":0,"href":"https:\/\/paknews.centers.pk\/ur\/wp-json\/wp\/v2\/posts\/9560\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/paknews.centers.pk\/ur\/wp-json\/wp\/v2\/media\/4759"}],"wp:attachment":[{"href":"https:\/\/paknews.centers.pk\/ur\/wp-json\/wp\/v2\/media?parent=9560"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/paknews.centers.pk\/ur\/wp-json\/wp\/v2\/categories?post=9560"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/paknews.centers.pk\/ur\/wp-json\/wp\/v2\/tags?post=9560"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}